In the first film ‘Rainbow Jelly’, young director Soukarya Ghosal proved his fancy and practical ideas. This time, after the hand of the big commercial house, a lot of compromises have come in the pen of his screenplay. Despite this, he did not try to add too much color to his style of application, which is the main quality of the film. Love (in every sense) and motherhood, the two eternal passions, are the backbone of the screenplay for the convenience film, but Rawkto Rawhoshyo did not make it epic. Maintains a kind of clean and sophisticated mood almost all the time. Only one place is ridiculous, the scene of the police playing ‘Thief Police’ with the villain.
As far as I know, the idea of the story touches foreign pictures. Soukarya has decorated it with authentic Bengali. The characters are intertwined and growing in harmony. The brother (Rwitobroto) who is the son of the housemaid (Kanchana) of Swarnajar (Koyel), was not understood before the last moment. As if they are really siblings. The plot of the film is very much based on emotion after the thriller came in from the middle. The wife of the sincerely loving Swarnaja lover Samya lends her womb after learning of her inability to have children, in a word, she is a surrogate mother. But he has rare blood. The family doctor Kakaku (Shantilal) doesn’t mind knowing that information. One morning after the child was pollinated, the loving parents along with the child disappeared from their house without informing anyone. Meanwhile, the news was broadcast on TV about a child trafficking of rare blood. The discovery is that the child is a goldsmith and that the common couple, Samya and his wife Kheya (Basabdatta), are both parts of an international child and blood trafficking ring. When Swarnaja approached the police to get his son back, the script changed to thriller mode.
This time a lot of incidents are covered with tight secrets. Their communication and relationship are not very strong. Even so, owning one is still beyond the reach of the average person. Chasing, the villain and the police shoot at the house under construction, and the narrator’s brother saving the child.
In keeping with the smooth management of the facility, every artist has been able to become beautiful by fulfilling the commercial conditions by performing normally with ease. The first name is Koel Mallick. She looks very normal with an almost no-makeup look. Radio jockey by profession. He is also very smart there. Becoming a mother of a child again, embracing beautiful affection. His defensive and combative temperament is also relaxed. Ritubrata as Vaiya, Lily Chakraborty as Chhota, and Kanchana Maitra has also done well. However, Basavadatta and Chandan Roy Sanyal caught the eye of the audience with their natural and easy acting. The almost silent presence of Sriyangsha Sarkar, the artist of the small pollen character, makes for a sweet presence. Another name must be mentioned – Jayaraj Bhattacharya in the role of a police officer. This picture of ease in the puzzle of blood and mystery is simultaneously immersed in the thriller and the spice to make the audience happy. Which is far from his previous film ‘Rainbow Jelly’.
